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King Kishore |
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#1
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![]() Dedicated Member ![]() Group: Angels Posts: 3554 Joined: 7-February 07 Member No.: 10681 ![]() |
Gulzar
Want to share some of this Genius' works, friends. ----- Starting with 'Sunset Point' - The Album http://www.hamaraforums.com/index.php?act=...4785&st=45# -----
Aadmi Theek Se Dekh Paata Naheen, Aur Parde Pe Manzar Badal Jaata Hai, Ek Baar Chaley Jaate Hain Jo Din-Raat, Suboh-Shaam, Wo Phir Naheen Aate, Wo Phir Naheen Aate, Zindagi Ke Safar Mein Guzar Jaate Hain Jo Makaam, Wo Phir Naheen Aate, Wo Phir Naheen Aate... ----- |
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mmuk2004 |
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#2
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![]() Dedicated Member ![]() Group: Members Posts: 3415 Joined: 25-September 04 Member No.: 907 ![]() |
USR ji,
That was straight from the heart... aapka andaaz-e-bayan padh kar maza aa gaya.... ![]() ![]() Yes, one of my first impressions of Mere Apne was that both Vinod Khanna and Shatrughan looked so young... and it is a movie about youth... Meena Kumari, despite the annoying wig and the bad make-up was, I thought, brilliant in the movie. She is an old lonely widow who lives in the village and is suddenly remembered by a very distant nephew who takes her to the city professing that he is concerned about her loneliness but in reality is in dire need of a maidservant who will look after his son as both the husband and wife go out to work. Meena Kumari brought up on old world values goes to the city and very soon realises the equation... I remember some scenes so vividly in the movie. The wife Sumita Sanyal is getting ready to go to work and is trying to shrug off her irritation at Meena Kumari's interference... At this point Meena Kumari is vocally showing her disapproval of short hair and pants that modern working women wear...complaining that one cannot distinguish men from women nowadays... and then suddenly the scene shifts to years ago when her husband (Deven Verma) who used to work for the Nautanki and often played female roles is dressing up for the play and is adjusting his wig and saree with professional care... and Meena Kumari bursts into giggles of fond memories... Talk about gender-benders... The scene is handled so deftly by Gulzar(I do want to see the original), picking up a very common point of conflict and manages to build empathy for the old woman who comes across as so much more broadminded even while she is annoyingly old-fashioned... Baghban despite some emotional moments when one sneaked and wiped a tear(cursing Amitabh Bachchan!!!) was so melodramatic and didactic and quite unpalatable logically... On the other hand there are these two warring bands of unemployed youth who have nothing better to do but get involved in street fights and who are exploited by the political parties for their own agenda... Shunned and feared by the rest of the colony, they and Meena Kumari forge an unlikely bond which is not too treacly and over-the-top... Kudos to the director again. The movie builds to its tragic climax with so much inevitability... her death is so meaningless and her body being taken away by the municipal van is mourned only by the shocked group of young people who watch it helplessly... "This isn't right, this isn't even wrong." Wolfgang Pauli (1900-1958) "There are no facts, only interpretations." Friedrich Nietzsche (1844-1900) |
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Time is now: 21st June 2025 - 05:30 AM |