Shuklas : Lata Mangeshkar- Solos & Duets, Basant Bahar : Ja ja re ja balamwa Options

[balajigade]

Here are your songs Hari;

1)Song : Gul muskura utha...
Singer : Lata
Film : Badshah
Year : 1954
Music : Shankar Jaikishan
Lyrics : Shailendra
Bitrate 128 kbp
Duration : 3:17
2)Song : Jab pal bhar chain...
Singer : Lata
Film : Badshah
Year : 1954
Music : Shankar Jaikishan
Lyrics : Hasrat
Bitrate 128 kbp
Duration : 2:38
3)Song : O piya pyare...
Singer : Lata
Film : Chalis Baba Ek Chor
Year 1954
Music SD Burman
Lyrics : PL Santoshi
Bitrate 128 kbp
Duration : 2:52 (Quality so so)





--Balaji

[balajigade]

Next :

1)Song : Hum pyar men jitne...
Singer : Lata
Film : Daku Ki Ladki
Music : Hemant Kumar
Lyrics : Kaif Irfani
Bitrate 128 kbp
Duration 3:10
2) Song : Mohabbat ke janaaze pe...
Singer : Lata
Film : Daku Ki Ladki
Music : Hemant Kumar
Lyrics : SH Bihari
Bitrate 128 kbp
Duration : 2:53
3) Song : Aa jayen janewale...
Singer : Lata
Film : Chandni Chowk
Music : Roshan
Lyrics : Majrooh Sulatnpuri
Bitrate : 128 kbp
Duration : 3:07





--Balaji

[balajigade]

Next :
Song : Banke bigadti hai...
Singer : Lata
Film : Guzara
Music : Ghulam Md.
Lyrics : Raja Mehdi Ali Khan or Fouq Jamin
Year 1954
Bitrate : 128 kbp
Duration : 2:56



--Balaji

[balajigade]

Next :
Song : Banke bigadti hai...
Singer : Lata
Film : Guzara
Music : Ghulam Md.
Lyrics : Raja Mehdi Ali Khan or Fouq Jamin
Year 1954
Bitrate : 128 kbp
Duration : 2:56



--Balaji

[Harishankar]

To continue my upto-1950 Lata thread:

Everyone remembers "Lara lappa lara lappa". No one, probably, remembers that the song was from 'Ek Thi Ladki' (1949); still less is the song's composer, Vinod, known today. This, though Vinod's numbers have always been of a universally high calibre [to wit, his 'Anmol Rattan' creations which already figure on this forum]. Alongside "lara lappa", 'Ek Thi Ladki' figured two of Lata-Rafi's loveliest duets. Here are the three numbers:


"Tumhi kaho mera man kyon rade udaas nahin" was yet another unforgettable for Lata from Anil Biswas in 'Girls School'. Unfortunately, I don't have it readily available on my system, and I have yet to figure out how to convert from cassette to .mp3 or .rar. Still, here's the equally memorable duet with Shanker Das Gupta from the same film: "Baar baar tum soch rahi ho man mein kaun si baat":



"Hans le gaa le O chand mere" and "Mast pawan hai chanchal dhara" from 'Jeet' were, I felt, overshadowed by the Suraiya unforgettables from the film, headed by "Tum man ki peeda kya samjho". 'Jeet' was, I felt, a Suraiya show all the way. Still, here're the two Lata numbers, which are cute in their own way:


Sajjad Husain recorded a mere 14 numbers for Lata in his entire career. Lata, nevertheless, places him at the very pinnacle of the composers for whom she has sung, and with good reason - Sajjad, as they said, never created a tune, he crafted one. "Bhool ja ae dil mohabbat ka fasana" and "Jaate ho to jaao hum bhi yahan waadon ke sahare jee lenge", from Khel (1949), were two of Sajjad Husain's 14 Lata immortals. Which is better? Your guess is as good as mine. Balaji's already posted "Jaate ho to jaao" on my request; here's "Bhool ja ae dil":


Hansraj Behl was another composer who, despite being a master of his craft, never got his due. None of us can forget the peaks scaled by Lata, for Hansraj Bahl, in "Haaye jiya roye" [Milan - 1946]. An early example of Hansraj Bahl's creativity, when in Lata's company, is to be found in the following 'Khiladi' number:


I'm now getting tired of waxing again and again on the magic of the Lata-Anil Biswas meloduo. Hearing is believing. So, here're "Tumhare bulaane ko ji chahta hai" and "Kaise keh doon bajariya ke beech woh jo kaanon mein kehne waali baat hai":


And here's "Baharen phir bhi aayengi", from Shyam Sunder's 'Lahore'. Words fail description where this number is concerned. Lata rated it as one of her 10 best songs of all time. Suffice it to say that, in my view, it could justifiably have been at the very top of the list. The vibrance in Lata's voice here ... well, just hear it ...


Anil Biswas tuned just as well with Mukesh as with Lata. And when Lata, Mukesh and Anil Biswas got together, you got ... well, this 'Lajawab' number - what more needs to be said?

[Harishankar]

To continue my upto-1950 Lata thread:

Everyone remembers "Lara lappa lara lappa". No one, probably, remembers that the song was from 'Ek Thi Ladki' (1949); still less is the song's composer, Vinod, known today. This, though Vinod's numbers have always been of a universally high calibre [to wit, his 'Anmol Rattan' creations which already figure on this forum]. Alongside "lara lappa", 'Ek Thi Ladki' figured two of Lata-Rafi's loveliest duets. Here are the three numbers:


"Tumhi kaho mera man kyon rade udaas nahin" was yet another unforgettable for Lata from Anil Biswas in 'Girls School'. Unfortunately, I don't have it readily available on my system, and I have yet to figure out how to convert from cassette to .mp3 or .rar. Still, here's the equally memorable duet with Shanker Das Gupta from the same film: "Baar baar tum soch rahi ho man mein kaun si baat":



"Hans le gaa le O chand mere" and "Mast pawan hai chanchal dhara" from 'Jeet' were, I felt, overshadowed by the Suraiya unforgettables from the film, headed by "Tum man ki peeda kya samjho". 'Jeet' was, I felt, a Suraiya show all the way. Still, here're the two Lata numbers, which are cute in their own way:


Sajjad Husain recorded a mere 14 numbers for Lata in his entire career. Lata, nevertheless, places him at the very pinnacle of the composers for whom she has sung, and with good reason - Sajjad, as they said, never created a tune, he crafted one. "Bhool ja ae dil mohabbat ka fasana" and "Jaate ho to jaao hum bhi yahan waadon ke sahare jee lenge", from Khel (1949), were two of Sajjad Husain's 14 Lata immortals. Which is better? Your guess is as good as mine. Balaji's already posted "Jaate ho to jaao" on my request; here's "Bhool ja ae dil":


Hansraj Behl was another composer who, despite being a master of his craft, never got his due. None of us can forget the peaks scaled by Lata, for Hansraj Bahl, in "Haaye jiya roye" [Milan - 1946]. An early example of Hansraj Bahl's creativity, when in Lata's company, is to be found in the following 'Khiladi' number:


I'm now getting tired of waxing again and again on the magic of the Lata-Anil Biswas meloduo. Hearing is believing. So, here're "Tumhare bulaane ko ji chahta hai" and "Kaise keh doon bajariya ke beech woh jo kaanon mein kehne waali baat hai":


And here's "Baharen phir bhi aayengi", from Shyam Sunder's 'Lahore'. Words fail description where this number is concerned. Lata rated it as one of her 10 best songs of all time. Suffice it to say that, in my view, it could justifiably have been at the very top of the list. The vibrance in Lata's voice here ... well, just hear it ...


Anil Biswas tuned just as well with Mukesh as with Lata. And when Lata, Mukesh and Anil Biswas got together, you got ... well, this 'Lajawab' number - what more needs to be said?

[Harishankar]

To continue my upto-1950 Lata thread:

Everyone remembers "Lara lappa lara lappa". No one, probably, remembers that the song was from 'Ek Thi Ladki' (1949); still less is the song's composer, Vinod, known today. This, though Vinod's numbers have always been of a universally high calibre [to wit, his 'Anmol Rattan' creations which already figure on this forum]. Alongside "lara lappa", 'Ek Thi Ladki' figured two of Lata-Rafi's loveliest duets. Here are the three numbers:


"Tumhi kaho mera man kyon rade udaas nahin" was yet another unforgettable for Lata from Anil Biswas in 'Girls School'. Unfortunately, I don't have it readily available on my system, and I have yet to figure out how to convert from cassette to .mp3 or .rar. Still, here's the equally memorable duet with Shanker Das Gupta from the same film: "Baar baar tum soch rahi ho man mein kaun si baat":



"Hans le gaa le O chand mere" and "Mast pawan hai chanchal dhara" from 'Jeet' were, I felt, overshadowed by the Suraiya unforgettables from the film, headed by "Tum man ki peeda kya samjho". 'Jeet' was, I felt, a Suraiya show all the way. Still, here're the two Lata numbers, which are cute in their own way:


Sajjad Husain recorded a mere 14 numbers for Lata in his entire career. Lata, nevertheless, places him at the very pinnacle of the composers for whom she has sung, and with good reason - Sajjad, as they said, never created a tune, he crafted one. "Bhool ja ae dil mohabbat ka fasana" and "Jaate ho to jaao hum bhi yahan waadon ke sahare jee lenge", from Khel (1949), were two of Sajjad Husain's 14 Lata immortals. Which is better? Your guess is as good as mine. Balaji's already posted "Jaate ho to jaao" on my request; here's "Bhool ja ae dil":


Hansraj Behl was another composer who, despite being a master of his craft, never got his due. None of us can forget the peaks scaled by Lata, for Hansraj Bahl, in "Haaye jiya roye" [Milan - 1946]. An early example of Hansraj Bahl's creativity, when in Lata's company, is to be found in the following 'Khiladi' number:


I'm now getting tired of waxing again and again on the magic of the Lata-Anil Biswas meloduo. Hearing is believing. So, here're "Tumhare bulaane ko ji chahta hai" and "Kaise keh doon bajariya ke beech woh jo kaanon mein kehne waali baat hai":


And here's "Baharen phir bhi aayengi", from Shyam Sunder's 'Lahore'. Words fail description where this number is concerned. Lata rated it as one of her 10 best songs of all time. Suffice it to say that, in my view, it could justifiably have been at the very top of the list. The vibrance in Lata's voice here ... well, just hear it ...


Anil Biswas tuned just as well with Mukesh as with Lata. And when Lata, Mukesh and Anil Biswas got together, you got ... well, this 'Lajawab' number - what more needs to be said?

[balajigade]

Next;
1) Song : Guzra hua ulfat ka zamana...
Singer : Lata
Film : Naaz
Music : Anil Biswas
Lyrics : Dr. Safdar
Year : 1954
Format : mp3
Bitrate : 128 kbp (Quality : so so )
Duration : 2:48

2)Song : Keh do ke mohabbat se...
Singer : Lata
Film : Naaz
Music : Anil Biswas
Lyrics : Kaif Bhopali
Year : 1954
Format : mp3
Bitrate : 128 kbp
Duration : 3:16

3) Song : Mukhtasar si hai...
Singer : Lata
Film : Mehbooba
Music : Roshan
Lyrics : Tanvir Naqvi
Year : 1954
Format : mp3
Duration : 2:54





--Balaji

[balajigade]

Next :

1)Song : Main hoon ujda ashiyan...
Singer : Lata
Film : Naaz
Music : Anil Biswas
Year : 1954
Lyrics : Prem Dhawan
Format : mp3
Duration : 3:14

2) Song : Aye dil dukhda kise...
Singer : Lata
Film : Naaz
Music : Anil Biswas
Year : 1954
Lyrics : Kedar Sharma
Format : mp3
Duration : 3:14




--Balaji

[balajigade]

Next :

1)Song : Main hoon ujda ashiyan...
Singer : Lata
Film : Naaz
Music : Anil Biswas
Year : 1954
Lyrics : Prem Dhawan
Format : mp3
Duration : 3:14

2) Song : Aye dil dukhda kise...
Singer : Lata
Film : Naaz
Music : Anil Biswas
Year : 1954
Lyrics : Kedar Sharma
Format : mp3
Duration : 3:14

[Harishankar]

To continue my upto-1950 Lata thread:

Everyone remembers "Lara lappa lara lappa". No one, probably, remembers that the song was from 'Ek Thi Ladki' (1949); still less is the song's composer, Vinod, known today. This, though Vinod's numbers have always been of a universally high calibre [to wit, his 'Anmol Rattan' creations which already figure on this forum]. Alongside "lara lappa", 'Ek Thi Ladki' figured two of Lata-Rafi's loveliest duets. Here are the three numbers:



"Tumhi kaho mera man kyon rade udaas nahin" was yet another unforgettable for Lata from Anil Biswas in 'Girls School'. Unfortunately, I don't have it readily available on my system, and I have yet to figure out how to convert from cassette to .mp3 or .rar. Still, here's the equally memorable duet with Shanker Das Gupta from the same film: "Baar baar tum soch rahi ho man mein kaun si baat":



"Hans le gaa le O chand mere" and "Mast pawan hai chanchal dhara" from 'Jeet' were, I felt, overshadowed by the Suraiya unforgettables from the film, headed by "Tum man ki peeda kya samjho". 'Jeet' was, I felt, a Suraiya show all the way. Still, here're the two Lata numbers, which are cute in their own way:





Sajjad Husain recorded a mere 14 numbers for Lata in his entire career. Lata, nevertheless, places him at the very pinnacle of the composers for whom she has sung, and with good reason - Sajjad, as they said, never created a tune, he crafted one. "Bhool ja ae dil mohabbat ka fasana" and "Jaate ho to jaao hum bhi yahan waadon ke sahare jee lenge", from Khel (1949), were two of Sajjad Husain's 14 Lata immortals. Which is better? Your guess is as good as mine. Balaji's already posted "Jaate ho to jaao" on my request; here's "Bhool ja ae dil":



Hansraj Behl was another composer who, despite being a master of his craft, never got his due. None of us can forget the peaks scaled by Lata, for Hansraj Bahl, in "Haaye jiya roye" [Milan - 1946]. An early example of Hansraj Bahl's creativity, when in Lata's company, is to be found in the following 'Khiladi' number:



I'm now getting tired of waxing again and again on the magic of the Lata-Anil Biswas meloduo. Hearing is believing. So, here're "Tumhare bulaane ko ji chahta hai" and "Kaise keh doon bajariya ke beech woh jo kaanon mein kehne waali baat hai" from 'Ladli' (1949):





And here's "Baharen phir bhi aayengi", from Shyam Sunder's 'Lahore'. Words fail description where this number is concerned. Lata rated it as one of her 10 best songs of all time. Suffice it to say that, in my view, it could justifiably have been at the very top of the list. The vibration in Lata's voice here ... well, just hear it ... Can she even dream of negotiating this song today?



Anil Biswas tuned just as well with Mukesh as with Lata. And when Lata, Mukesh and Anil Biswas got together, you got ... well, this 'Lajawab' number - what more needs to be said?



Will continue in my next post ...

[balajigade]

(29) Aansuon ki chhaon mein bhi hans le O dil waale – Parichay
(30) Shatranji chaal hai chaahat ki baazi – Parichay
(31) O rone waale aansoo chhipa le – Pehli Tarikh
(32) Dil ki duniya lootkar O jaane waale laut aa – Pensioner
(33) Jab tumhi humen barbaad karo – Pilpili Saheb
(34) Naina bhanwar ke beech thi … Jinhen hum yaad karte hain – Pilpili Saheb
(35) Jo apna kaam hai … Jaoon main kahan daata – Pilpili Saheb
(36) Bata de ae dil dil lagaana na raas aaye to kya karoon – Pooja
(37) Bedard zamaane se shikwa na shikayat hai – Rishta
(38) Kehte hain ki yeh duniya hai … Duniya se kya kare wafa – Samrat
(39) Yeh khamoshiyan yeh sama yeh taaron bhara aasmaan – Samrat
(40) Jab tak jaage chaand gagan mein – Shiv Kanya
(41) Sapna toot gaya aasha ki kaliyan bikhar gayi – Suhagan
(42) Yeh woh duniya … Main jiska sapna saja rahi thi – Suhagan
(43) Khwaab mein humko bulaate ho – Toofan
(44) Bahut din beet gaye baalma – Toofan

[zankib]

goodshow balaji and harishankar

[Harishankar]

(29) Aansuon ki chhaon mein bhi hans le O dil waale – Parichay
(30) Shatranji chaal hai chaahat ki baazi – Parichay
(31) O rone waale aansoo chhipa le – Pehli Tarikh
(32) Dil ki duniya lootkar O jaane waale laut aa – Pensioner
(33) Jab tumhi humen barbaad karo – Pilpili Saheb
(34) Naina bhanwar ke beech thi … Jinhen hum yaad karte hain – Pilpili Saheb
(35) Jo apna kaam hai … Jaoon main kahan daata – Pilpili Saheb
(36) Bata de ae dil dil lagaana na raas aaye to kya karoon – Pooja
(37) Bedard zamaane se shikwa na shikayat hai – Rishta
(38) Kehte hain ki yeh duniya hai … Duniya se kya kare wafa – Samrat
(39) Yeh khamoshiyan yeh sama yeh taaron bhara aasmaan – Samrat
(40) Jab tak jaage chaand gagan mein – Shiv Kanya
(41) Sapna toot gaya aasha ki kaliyan bikhar gayi – Suhagan
(42) Yeh woh duniya … Main jiska sapna saja rahi thi – Suhagan
(43) Khwaab mein humko bulaate ho – Toofan
(44) Bahut din beet gaye baalma – Toofan

Thanks a ton, Balaji ... God bless you.

These numbers need no introduction ... Though I hold the firm view that Rajkumari, in "Ek teer chala dil pe laga", "Main woh dulhan hoon raas na aaya jise singaar", "Yeh raat phir na aayegi" (with Zohrabai) and, as the icing on the cake, "Ghabraake jo hum sar ko takraaye to achha ho", matched Lata note for note here ... But let those numbers be manna for another evening ... here's Lata, on the haunting Madhubala, for your ears alone ...


And here, two cute duets with Talat Mahmood from 'Meharbani' (1950), which display the latent talent of Bulo C. Rani, which, like that of Hansraj Bahl, was never really tapped to its true potential ...


And, with due respects, and no offence meant, to the Mallika-e-Tarannum, here's Lata out-Noorjehaning Noorjehan, in 'Padmini' (1948), under the compositional care of Master Ghulam Haider ... Is this not as good as the best ever from Lata?


And could there be a more uplifting end to my litany of pre-1950 Lata numbers than this racy 'Zevraat' (1950) classic, from the baton of Hansraj Bahl once again?

[Harishankar]

(29) Aansuon ki chhaon mein bhi hans le O dil waale – Parichay
(30) Shatranji chaal hai chaahat ki baazi – Parichay
(31) O rone waale aansoo chhipa le – Pehli Tarikh
(32) Dil ki duniya lootkar O jaane waale laut aa – Pensioner
(33) Jab tumhi humen barbaad karo – Pilpili Saheb
(34) Naina bhanwar ke beech thi … Jinhen hum yaad karte hain – Pilpili Saheb
(35) Jo apna kaam hai … Jaoon main kahan daata – Pilpili Saheb
(36) Bata de ae dil dil lagaana na raas aaye to kya karoon – Pooja
(37) Bedard zamaane se shikwa na shikayat hai – Rishta
(38) Kehte hain ki yeh duniya hai … Duniya se kya kare wafa – Samrat
(39) Yeh khamoshiyan yeh sama yeh taaron bhara aasmaan – Samrat
(40) Jab tak jaage chaand gagan mein – Shiv Kanya
(41) Sapna toot gaya aasha ki kaliyan bikhar gayi – Suhagan
(42) Yeh woh duniya … Main jiska sapna saja rahi thi – Suhagan
(43) Khwaab mein humko bulaate ho – Toofan
(44) Bahut din beet gaye baalma – Toofan

Thanks a ton, Balaji ... God bless you.

These numbers need no introduction ... Though I hold the firm view that Rajkumari, in "Ek teer chala dil pe laga", "Main woh dulhan hoon raas na aaya jise singaar", "Yeh raat phir na aayegi" (with Zohrabai) and, as the icing on the cake, "Ghabraake jo hum sar ko takraaye to achha ho", matched Lata note for note here ... But let those numbers be manna for another evening ... here's Lata, on the haunting Madhubala, for your ears alone ...







And here, two cute duets with Talat Mahmood from 'Meharbani' (1950), which display the latent talent of Bulo C. Rani, which, like that of Hansraj Bahl, was never really tapped to its true potential ...





And, with due respects, and no offence meant, to the Mallika-e-Tarannum, here's Lata out-Noorjehaning Noorjehan, in 'Padmini' (1948), under the compositional care of Master Ghulam Haider ... Is this not as good as the best ever from Lata?



And could there be a more uplifting end to my litany of pre-1950 Lata numbers than this racy 'Zevraat' (1950) classic, from the baton of Hansraj Bahl once again?



Hari