Shuklas : Lata Mangeshkar- Solos & Duets, Basant Bahar : Ja ja re ja balamwa Options

[balajigade]

And finally;

[balajigade]

And finally;





--Balaji

[sani_thakur]

[quote name='balajigade' date='Nov 21 2006, 02:57 AM' post='308633']

I have a question regarding these songs, and other songs...

What is/are the source of these songs ???
[/quote]

The sources are different forums, recording shops, cassettes, TV recordings and SLBC(radio)

--Balaji
[/quote]

I wish you could give a short description of the quality of the songs. Most of the songs that I downloaded last week, well, are not so good quality and are hazy (no offence meant). But of course, I know they are very rare songs.

And I thank you for such rare uploads. If someone has them in better quality, like from an LP/VCD etc., then please do upload as well

[Nimii]

Red Alert: The above attachments are in violation of the attachment guidelines. Admins will be deleting the attachments unless the file upload rules are adhered to.

• SAMPLE
  Suhani Raat Dhal Chuki Na Jaane Tum Kab Aavoge
  Film - Dulari
  Year - 1949
  Lyricist(s) - Shakeel Badayuni
  Musician(s) - Naushad
  Duration - 3.20 mins
  Bitrate - 128kbps
  Format - mp3
• Posts with video attachments should cover all the known details of the file as shown in the sample above along with at least one snapshot or a frame of the video. E.g Sample

[usrafian]

Red Alert: The above attachments are in violation of the attachment guidelines. Admins will be deleting the attachments unless the file upload rules are adhered to.

Aaiiilaaaa !!!

Nimmi Ji to Dandaaa Leke Picche Pad Gayee Hai !!!!



USR
[ ]

[balajigade]

Red Alert: The above attachments are in violation of the attachment guidelines. Admins will be deleting the attachments unless the file upload rules are adhered to.

• SAMPLE
  Suhani Raat Dhal Chuki Na Jaane Tum Kab Aavoge
  Film - Dulari
  Year - 1949
  Lyricist(s) - Shakeel Badayuni
  Musician(s) - Naushad
  Duration - 3.20 mins
  Bitrate - 128kbps
  Format - mp3
• Posts with video attachments should cover all the known details of the file as shown in the sample above along with at least one snapshot or a frame of the video. E.g Sample

Well, the file names of the songs I upload contain all the details required except the geetkar. However, if the guidelines are such that the details are to be given in the desired format also, it will be adhered to hereinafter.

And Sani Thakurji, I agree that the majority songs I have with me (including some u/l-ed from the forum) are of compromising quality. Most of them are the copy recordings of cassettes & radio. As I donot maintain a record of the source, except the memory, I will give a comment on the quality while u/ling as suggested. But as a true lover of the old and rare songs, one has to compromise to some extent on the quality which I personally do myself.

--Balaji

[sangeetbhakt]

Hame is Nimmii se bachaao
akaDti hai jhagaDti hai
attachments nikaalne ki dhamki deti hai
Hame is Nimmii se bachaao

[Harishankar]

Red Alert: The above attachments are in violation of the attachment guidelines. Admins will be deleting the attachments unless the file upload rules are adhered to.

• SAMPLE
  Suhani Raat Dhal Chuki Na Jaane Tum Kab Aavoge
  Film - Dulari
  Year - 1949
  Lyricist(s) - Shakeel Badayuni
  Musician(s) - Naushad
  Duration - 3.20 mins
  Bitrate - 128kbps
  Format - mp3
• Posts with video attachments should cover all the known details of the file as shown in the sample above along with at least one snapshot or a frame of the video. E.g Sample

Well, the file names of the songs I upload contain all the details required except the geetkar. However, if the guidelines are such that the details are to be given in the desired format also, it will be adhered to hereinafter.

And Sani Thakurji, I agree that the majority songs I have with me (including some u/l-ed from the forum) are of compromising quality. Most of them are the copy recordings of cassettes & radio. As I donot maintain a record of the source, except the memory, I will give a comment on the quality while u/ling as suggested. But as a true lover of the old and rare songs, one has to compromise to some extent on the quality which I personally do myself.

--Balaji

To all my fellow music lovers … my requests for 1954:

(1) Gul muskura utha bulbul yeh ga utha – Badshah
(2) Le gaya le gaya dil le gaya – Badshah
(3) Janam maran ke saath ko … Tum aankhen churaao to kya – Badshah
(4) Jee ghabraaye dil jal jaaye – Badshah
(5) Jab pal bhar chain na paoon re – Badshah
(6) Andhere se ujale ki taraf le ja humen Bhagwan – Baap Beti
(7) Le chal ri nindiya le chal humen – Baap Beti
(8) Duniya banane waale Ramji ghazab ka hai tera intezaam – Baap Beti
(9) Chaman jal raha hai luta ashiyaan – Bhai Saheb
(10) Aankhon aankhon se jataya dil ka dard … Baalma bedardi – Bhai Saheb
(11) Humen hanste dekha to bole sitaare … O piya pyaare – Chalis Baba Ek Chor
(12) Abhi abhi chaandni se poochhi maine baat … Sajanwa ho jo saath – Chalis Baba Ek Chor
(13) Kismat ne baagh lagaya hai – Chalis Baba Ek Chor
(14) Aa jaayen jaaye waale laut aayen bahaaren – Chandni Chowk
(15) Mita denge jahaan tera … Mohabbat ke janaaze pe – Daku Ki Ladki
(16) Zara koi dekh yeh kismat … Hum pyar mein jitne kadam chale – Daku Ki ladki
(17) Yeh sitaare yeh chaand yeh raaten jawan – Dankaa
(18) Pal bhar mein gaye toot … Ban banke bigadti hai taqdeer gareebon ki – Guzaaraa
(19) Tujhe aawaaz deti hai tadapkar zindagi meri – Haar Jeet
(20) Mere pyar mein tujhe kya mila – Maan
(21) Guzra hua ulfat ka zamana yaad karke royenge – Maan
(22) Keh do ki mohabbat se na takraaye zamana – Maan
(23) Allah bhi hai Mallah bhi hai kashti hai ki doobi jaati hai – Maan
(24) Dil-e-betaab dhadakta hai … Barbaad mohabbat ko kab tak – Meenaar
(25) Mukhtasar si hai meri kahani – Mehbooba
(26) Aa ki ab aati nahin dil ko qaraar – Mehbooba
(27) Ae dil dukhda kise sunaaen – Naaz
(28) Main hoon ujda aashiyaan – Naaz
(29) Aansuon ki chhaon mein bhi hans le O dil waale – Parichay
(30) Shatranji chaal hai chaahat ki baazi – Parichay
(31) O rone waale aansoo chhipa le – Pehli Tarikh
(32) Dil ki duniya lootkar O jaane waale laut aa – Pensioner
(33) Jab tumhi humen barbaad karo – Pilpili Saheb
(34) Naina bhanwar ke beech thi … Jinhen hum yaad karte hain – Pilpili Saheb
(35) Jo apna kaam hai … Jaoon main kahan daata – Pilpili Saheb
(36) Bata de ae dil dil lagaana na raas aaye to kya karoon – Pooja
(37) Bedard zamaane se shikwa na shikayat hai – Rishta
(38) Kehte hain ki yeh duniya hai … Duniya se kya kare wafa – Samrat
(39) Yeh khamoshiyan yeh sama yeh taaron bhara aasmaan – Samrat
(40) Jab tak jaage chaand gagan mein – Shiv Kanya
(41) Sapna toot gaya aasha ki kaliyan bikhar gayi – Suhagan
(42) Yeh woh duniya … Main jiska sapna saja rahi thi – Suhagan
(43) Khwaab mein humko bulaate ho – Toofan
(44) Bahut din beet gaye baalma – Toofan

From my next mail, I'll start u/loading my 1953 Lata numbers.

Hari

[cinemaniac2]

Great u/l's Balaji

kahan the itne din

just missed ur last batch

ur net sue them

loved the SDB-LM rare song from Babla

BTW-its the highest d/l song in this new famine of downloads.

great job sir

pls don't keep it up till I can start downloading

cm2

[Harishankar]

Help! It appears that I have irritated someone somewhere ... the downloads of my requests have stopped! I hope I've not offended Balaji, mirsa, or my other well-wishers ...

Anyway, here're some of my pre-1950 numbers of Lata, which I should have u/loaded long back:







"Tod diya dil mera" was a personal favourite of Dilip Kumar. In fact, he was, initially, not too happy with the Mukesh numbers Naushad created for him in 'Andaz', viz. "Hum aaj kahin dil kho baither", "Toote na dil toote na", "Tu kahe agar" and "Jhoom jhoom ke naacho aaj", thinking them too simplistic. He wanted something, for him, in the vein of "Tod diya dil mera". Naushad, however, as his senior, flatly refused any such accommodation. The result was that "Hum aaj kahin dil kho baither", "Toote na dil toote na", "Tu kahe agar" and "Jhoom jhoom ke naacho aaj", as vocalized by Mukesh, remained. We, of course, have to remain enternally indebted to Naushad for sticking to his guns - these four Mukesh immortals have become part of our music psyche.
















Those who have seen 'Anokha Pyar' would know that the above numbers have been rendered, in the film, by Meena Kapoor, and not by Lata. With Anil Biswas no longer with us, the reason for this, I suppose, will remain unknown ... There is, of course, no comparison between Lata's and Meena Kapoor's renditions. "Ek dil ka lagana" still sends goose-pimples up my skin every time I hear it. Mind you, I'm not decrying Meena Kapoor in any way ... I regard her very highly as a singer, and one who never got her due. In fact, I regard her rendition of "Aayi gori Radhika Brij mein ..." from 'Gopinath' as superior to Lata's "Yashomati maiya se bole Nandlala", which was, obviously, directly inspired from the earlier tune. Similarly, Meena Kapoor's "Kuchh aur zamana kehta hai" - Anil Biswas's swan song on Nadira in "Chhoti Chhoti Baaten" (1965) is, in my view, on par with anything that maestro created for Lata during his career. Anyway, this ia forum dedicated to Lata, not to Meena Kapoor, so I stop at that. Suffice it to say that, after years of listening to music, I have come to the conclusion that most of the singers of that era were equals in their own right, with each commanding his or her own distinct forte.

[Harishankar]

To continue with my upto-1950 Lata sequence ... Here're her two 'Babul' numbers, with that cute cadence only Naushad could extract from Lata. Of course, it remains a matter to consider whether, once u have heard Shamshad vocalizing "Chhod babul ka ghar", anything else from 'Babul' - almost all the songs in which are classics - can enter your psyche.



"Saajan ki galiyan" from 'Bazar' is, of course, an unforgettable from Shyam Sunder, for Lata. Lata's Shyam Sunder numbers are, I find, uniformly mesmerising in quality, whether it is "Saajan ki galiyan" from 'Bazar', "Sun lo sajan dil ki baat" and "Baharen phir bhi aayengi" from 'Lahore' [of which I would rate "Baheren phir bhi aayengi" as one of the greatest numbers ever in Hindi film music, till date] or "Bahaar aayi khili kaliyan" from 'Alif Laila'. In fact, when Noorjehan visited India in the 1980s, "Sajan ki galiyan" - which was sung in the Noorjehan idiom by Lata - was the number Lata chose to render to honour her ... immediately followed by "Allah tero naam Ishwar tero naam"! Anyway, here's "Saajan ki galiyan" ...



Anil Biswas was one of the composers who got the very very best out of Lata. These four 'Beqasoor' numbers, as filmed on the ethereal Madhubala, are ample testimony.



As in the case of 'Babul', 'Chandni Raat' was another 1949 film in which Shamshad dominated, with one immiortal rendition after another, including those three unforgettable duets with Rafi, "Kaise baje dil ka sitaar", "Khabar kya thi ki gham khana padega" and "Chheen ke dil kyon pher li aankhen". Still, this cute Lata duet with G M Durrani held its own, and still continues to occupy a special place in my heart ...


'Dulari', from Naushad again, saw the scales tilted ... here Lata had 9 numbers, Shamshad 2. I, however, still maintain that Shamshad's "Chandni aayi banke pyar O saajna", even by itself, counterbalanced the 9 Lata numbers in the film. All said and done, however, these 9 Lata numbers remain mesmerising to this day. 7 of them, which I have readily available, are here:

[Harishankar]

To continue with my upto-1950 Lata sequence ... Here're her two 'Babul' numbers, with that cute cadence only Naushad could extract from Lata. Of course, it remains a matter to consider whether, once u have heard Shamshad vocalizing "Chhod babul ka ghar", anything else from 'Babul' - almost all the songs in which are classics - can enter your psyche.



"Saajan ki galiyan" from 'Bazar' is, of course, an unforgettable from Shyam Sunder, for Lata. Lata's Shyam Sunder numbers are, I find, uniformly mesmerising in quality, whether it is "Saajan ki galiyan" from 'Bazar', "Sun lo sajan dil ki baat" and "Baharen phir bhi aayengi" from 'Lahore' [of which I would rate "Baheren phir bhi aayengi" as one of the greatest numbers ever in Hindi film music, till date] or "Bahaar aayi khili kaliyan" from 'Alif Laila'. In fact, when Noorjehan visited India in the 1980s, "Sajan ki galiyan" - which was sung in the Noorjehan idiom by Lata - was the number Lata chose to render to honour her ... immediately followed by "Allah tero naam Ishwar tero naam"! Anyway, here's "Saajan ki galiyan" ...



Anil Biswas was one of the composers who got the very very best out of Lata. These four 'Beqasoor' numbers, as filmed on the ethereal Madhubala, are ample testimony.



As in the case of 'Babul', 'Chandni Raat' was another 1949 film in which Shamshad dominated, with one immiortal rendition after another, including those three unforgettable duets with Rafi, "Kaise baje dil ka sitaar", "Khabar kya thi ki gham khana padega" and "Chheen ke dil kyon pher li aankhen". Still, this cute Lata duet with G M Durrani held its own, and still continues to occupy a special place in my heart ...


'Dulari', from Naushad again, saw the scales tilted ... here Lata had 9 numbers, Shamshad 2. I, however, still maintain that Shamshad's "Chandni aayi banke pyar O saajna", even by itself, counterbalanced the 9 Lata numbers in the film. All said and done, however, these 9 Lata numbers remain mesmerising to this day. 7 of them, which I have readily available, are here:

[Harishankar]

To continue with my upto-1950 Lata sequence ... Here're her two 'Babul' numbers, with that cute cadence only Naushad could extract from Lata. Of course, it remains a matter to consider whether, once u have heard Shamshad vocalizing "Chhod babul ka ghar", anything else from 'Babul' - almost all the songs in which are classics - can enter your psyche.



"Saajan ki galiyan" from 'Bazar' is, of course, an unforgettable from Shyam Sunder, for Lata. Lata's Shyam Sunder numbers are, I find, uniformly mesmerising in quality, whether it is "Saajan ki galiyan" from 'Bazar', "Sun lo sajan dil ki baat" and "Baharen phir bhi aayengi" from 'Lahore' [of which I would rate "Baheren phir bhi aayengi" as one of the greatest numbers ever in Hindi film music, till date] or "Bahaar aayi khili kaliyan" from 'Alif Laila'. In fact, when Noorjehan visited India in the 1980s, "Sajan ki galiyan" - which was sung in the Noorjehan idiom by Lata - was the number Lata chose to render to honour her ... immediately followed by "Allah tero naam Ishwar tero naam"! Anyway, here's "Saajan ki galiyan" ...



Anil Biswas was one of the composers who got the very very best out of Lata. These four 'Beqasoor' numbers, as filmed on the ethereal Madhubala, are ample testimony.



As in the case of 'Babul', 'Chandni Raat' was another 1949 film in which Shamshad dominated, with one immiortal rendition after another, including those three unforgettable duets with Rafi, "Kaise baje dil ka sitaar", "Khabar kya thi ki gham khana padega" and "Chheen ke dil kyon pher li aankhen". Still, this cute Lata duet with G M Durrani held its own, and still continues to occupy a special place in my heart ...


'Dulari', from Naushad again, saw the scales tilted ... here Lata had 9 numbers, Shamshad 2. I, however, still maintain that Shamshad's "Chandni aayi banke pyar O saajna", even by itself, counterbalanced the 9 Lata numbers in the film. All said and done, however, these 9 Lata numbers remain mesmerising to this day. Another little known fact is that Naushad settled on Lata and Rafi being his vocalists for the film, not after hearing "Suhani raat dhal chuki" or any of the 9 Lata solos, but on hearing "Mil mil ke gaayenge ho" and "Raat rangeeli mast nazare", in which the quality of their voices has to be heard to be believed. Anyway, 7 of Lata's numbers in the film, which I have readily available, are here:





Hari

[Harishankar]

To continue with my upto-1950 Lata sequence ... Here're her two 'Babul' numbers, with that cute cadence only Naushad could extract from Lata. Of course, it remains a matter to consider whether, once u have heard Shamshad vocalizing "Chhod babul ka ghar", anything else from 'Babul' - almost all the songs in which are classics - can enter your psyche.





"Saajan ki galiyan" from 'Bazar' is, of course, an unforgettable from Shyam Sunder, for Lata. Lata's Shyam Sunder numbers are, I find, uniformly mesmerising in quality, whether it is "Saajan ki galiyan" from 'Bazar', "Sun lo sajan dil ki baat" and "Baharen phir bhi aayengi" from 'Lahore' [of which I would rate "Baheren phir bhi aayengi" as one of the greatest numbers ever in Hindi film music, till date] or "Bahaar aayi khili kaliyan" from 'Alif Laila'. In fact, when Noorjehan visited India in the 1980s, "Sajan ki galiyan" - which was sung in the Noorjehan idiom by Lata - was the number Lata chose to render to honour her ... immediately followed by "Allah tero naam Ishwar tero naam"! Anyway, here's "Saajan ki galiyan" ...



Anil Biswas was one of the composers who got the very very best out of Lata. These four 'Beqasoor' numbers, as filmed on the ethereal Madhubala, are ample testimony.









As in the case of 'Babul', 'Chandni Raat' was another 1949 film in which Shamshad dominated, with one immiortal rendition after another, including those three unforgettable duets with Rafi, "Kaise baje dil ka sitaar", "Khabar kya thi ki gham khana padega" and "Chheen ke dil kyon pher li aankhen". Still, this cute Lata duet with G M Durrani held its own, and still continues to occupy a special place in my heart ...



'Dulari', from Naushad again, saw the scales tilted ... here Lata had 9 numbers, Shamshad 2. I, however, still maintain that Shamshad's "Chandni aayi banke pyar O saajna", even by itself, counterbalanced the 9 Lata numbers in the film. All said and done, however, these 9 Lata numbers remain mesmerising to this day. Another little known fact is that Naushad settled on Lata and Rafi being his vocalists for the film, not after hearing "Suhani raat dhal chuki" or any of the 9 Lata solos, but on hearing "Mil mil ke gaayenge ho" and "Raat rangeeli mast nazare", in which the quality of their voices has to be heard to be believed. Anyway, 6 of Lata's numbers in the film, which I have readily available, are here:















Hari

[balajigade]

Great u/l's Balaji

kahan the itne din

just missed ur last batch

ur net sue them

loved the SDB-LM rare song from Babla

BTW-its the highest d/l song in this new famine of downloads.

great job sir

pls don't keep it up till I can start downloading

cm2

Thanks 'cine...'ji . (Sorry for cutting it short). Mera bas chale to main saare ke saare (jo kuch mere paas hai) gaane upload kar doon. My passion is listening & collecting and also sharing the old songs with every one. But the kambakht net is letting me down. Right now I can only u/l texts. So hurry up.


--Balaji