Naushaad : The Master Of Melody Options

[Harjinder]

Rattan-1944

One of my favourite albums

Hi
Thanks for uploading all the songs.'Jab tum hi chale pardes' singer is Karan Dewan. Harjinder

This post has been edited by Harjinder: Jan 4 2010, 11:55 PM

[Exon]

Mala-1941

I dont have any songs from the film Kanchan. I request the members of the forum to come forward and share the album.

Sheshadri,

In Kanchan, only one song was composed by Naushad, rest of the songs were all by Gyan Dutt. Here is Naushad's composition. The song audio originated from HF member.

Film: Kanchan (1941)

Leela Chitnis:
bataa do koyi kaun gali more shyaam (3:25 \ 128)


Exon

[Exon]

Sharda-1942

Earthmusic.net shows the following songs for the movie. But I have one more song balihari re tagged to this film. Can friends with Geek Kosh give the details of the song and confirm whether this is from the same film. I don't have three songs which are marked red. Request members to upload them.

baalam aa aa baalam more man mein-Nirmala Devi -Naushad Ali-Dina Nath Madhok
beech bhavar mori naav it ut paar lagaao-Nirmala Devi -Naushad Ali-Dina Nath Madhok
duniya mein sab jode jode-G M Durrani -Naushad Ali-Dina Nath Madhok
ghir aayi badariya ghar aao-Nirmala Devi -Naushad Ali-Dina Nath Madhok
it jaaye ut jaaye nazariya dole -G M Durrani -Naushad Ali-Dina Nath Madhok
main waari re-G. M. Durrani Shyam Sunder-Naushad Ali-Dina Nath Madhok
mere dil ko saajan samjha do-Nirmala Devi , Suraiyya -Naushad Ali-Dina Nath Madhok
panchhi jaa peechhe raha hai bachpan mera-Suraiyya -Naushad Ali -Dina Nath Madhok
tum nahin aate ho nahin aao-Nirmala Devi -Naushad Ali-Dina Nath Madhok

Seshadri,

Here is one missing song. Song audio originated from HF member.

Nirmala Devi:
ghir aayi badariya ghar aao (2:54 \ 96)


Exon

[Abdur Rehman]

Sheshadri,

In Kanchan, only one song was composed by Naushad, rest of the songs were all by Gyan Dutt. Here is Naushad's composition. The song audio originated from HF member.

Film: Kanchan (1941)

Leela Chitnis:
bataa do koyi kaun gali more shyaam (3:25 \ 128)


Exon

Thanks Exon . BTW if you happen to have other songs of Kanchan, request you to please upload them.

This post has been edited by Abdur Rehman: Jan 5 2010, 11:15 AM

[Exon]

Sheshadri,

In Kanchan, only one song was composed by Naushad, rest of the songs were all by Gyan Dutt. Here is Naushad's composition. The song audio originated from HF member.

Film: Kanchan (1941)

Leela Chitnis:
bataa do koyi kaun gali more shyaam (3:25 \ 128)


Exon

Thanks Exon . BTW if you happen to have other songs of Kanchan, request you to please upload them.

Seshadri,

Sorry; I don't have any other songs from Kanchan.

Exon

[Exon]

Nai Duniya-1942

Here are the songs from the film Nai Duniya-1942.

Song-Artist-Lyricist

aaj mera man dole ek suhaana sapna dekha-Rajkumari,G M Durrani -Tanveer Naqvi
barsan lagi badariya-Raj Kumari, GM Durrani-
bolo chhum chhananan chhai- - A. Shah, Tanveer Naqvi
boot karoon main palish baabu-Suraiyya-Tanveer Naqvi
dil lut liya jee kisne lut liya-Rajkumari,G M Durrani-Tanveer Naqvi
jidhar dekhta hoon- - Tanveer Naqvi
nachat hai sansar-Raj Kumari-Tanveer Naqvi
prem ne man mein aag lagaayi-Rajkumari,G M Durrani-Tanveer Naqvi

Seshadri,

Here are two more songs from Nai Duniya. These song audios originated from HF members.

Rajkumari:
prem ke geet sunaaye (3:33 \ 96)

G. M. Durrani, chorus:
sambhal sambhal pag dharna re dharna (3:17 \ 128)


Exon

[Abdur Rehman]

Thanks Exon for the two missing songs of Nai Duniya.

Anmol Ghadi-1946

Here I am uploading songs from Anmol Ghadi-1946

This post has been edited by Abdur Rehman: Jan 6 2010, 12:07 PM

[Abdur Rehman]

Shah Jahan-1946

Unfortunately I dont have any detials of the songs except for the two Jab dil hi and gham diye mustaqil. These two are sung by KL Saigal saab. This is the first association of KL Saigal with Naushaad. I wanted to share some trivia of the first meeting of Saigal and Naushaad which were penned by Shashikant Kinikar in his book Notes of Naushaad. This is from the Chapter Saigal surpassed Tansen in popularity. Here is the excerpt of the chapter from the book.

Saigal was a legend to me from the day I saw his film "Pooran Bhagat". He had attracted me with the haze and glamour of heroes. More so, as he was a singing star, singing in 'sur". His songs and acting in the films of New Theatres carved a niche in my mind.

It was around 1946 I had a chance to meet him. Saigal was at the height of his popularity. D. N. Madhok and I were discussing a point of a picture at kardar Studios. A tall bald headed figure with thick rimmed spectacles entered the room. Mr. Madhok began to talk with him informally and I receded in the background. As conversation progressed, Madhok saw that I was kept aloof and asked me if I knew the gentleman with whom he was talking. I told him I did not. Madhok looked at me with surprise and asked me, "Why you don't know Saigal"? I jumped up. Saigal was smiling at me. Ii offered my apology saying that his bald head and thick rimmed spectacles were far from the boyish idea I had of the great Saigal. There was a heavy laughter from him in reply. That first meeting with Saigal left a lasting impression on me.

Saigal's mannerisms were just plain. He had no affected accents or no studied poses. He was just a plain gentleman from Punjab. His sould was transparent just as his melodious voice. He hardly ever acted: either on or off the screen. He always went about with his roles just as he would in real life. His singing, too, was marked with the ease of this very naturalness. And that was, indeed, great about his singing.

When an occasion arose to work with him for the film "Shah Jehan" my joy knew no bounds. It was an honour. Before every formal occasion of singing, Saigal made it a point to pray. This I discovered during one of the recordings of "Shah Jehan". As the time for the "takes" approached, he had a special mattress spread out for him, (he never sang standing or sitting on a chair) and squatting, he was muttering some prayer with a "mala" rhythmically moving between his fingers. A few minutes skipped by and his personal assistant took away the "mala". Mr. Saigal looked at me to know if everything was all right. I nodded approval. He turned aside and called: Driver, get me 'kaalee paanch'. Promptly his driver appeared as if from nowhere with a bottle of whisky which he casually poured out into a large flass and offered it to his boss. Saigal emptied it with a certain ease and began singing the "sur". He was coming to shape.

An honest appraisal of Saigal, should, of course, mention that he was a victim of alcohol. There is no irreverence about it. It was a fact. He was no less religious a man for that matter.

I went recording "take" after "take" to get the finest from the great artiste. But I noticed, too, that with every take he was having fresh "Kalee paanch". As "takes" began to mount upon one another, Saigal's sobriety began to dwindle. he could no more count the bars meant for interlude. He would come in singing either too early or too late. He would admit his fault every time. He was not conscious of his unconsciousness. At last I approached him and suggested that he needed rest and that we would record the song again the next day. That was the end of "kalee paanch" that night.

Saigal loved precious stones. He used to wear rings made with them. He loved "panna" stones in particular. He was fond of displaying his "panna" rings to everyone.

Saigal was a great artiste, no doubt. But he was a great man also. It was this greatness that had attracted Dr. Latiff from Kolkata to become his closest friend and personal physician. Dr. Latiff had left his wife and children, closed down his dispensary and had thrown his lot with Saigal. He literally moved along with Saigal. The doctor-friend always remained with him in the same rom, carried his medical kit day and night from set to set and theatre to theatre. I had the chance once to witness the complete dedication this man had for Saigal. Once on a set the cry was heard, "Saigal Sahab has fainted, Saigal Sahab has fainted, Saigal Sahab has fainted". I reached the spot and found that Dr. Latiff was giving him an emergency injection. After that he threw himself on the ground by Saigal's side to comfort him.

Once I had the chance to speak to Dr. Latiff. I made it a point to inquire what made him love Saigal so much. I knew that Dr. Latiff had no liking for music or film or acting. His reply was unique: "Saigal is a good man. He is a great friend and he needs understanding".

As I continued to work with him , I discovered that he was convinced with a false idea about himself. He thought he would never sing in "sur" without whisky. But I had noticed Saigal singing at his best when he was sober, during rehearsals, for instance. One day I took the courage to tell him about this and requested him to have takes without his driver and the bottle. He said he would try but was sure of the poor results. I insisted and he agreed, but on one condition: there must follow a recording session with his driver and the bottle. I agreed.

We had both the sessions. Both went off as I expected. When I played the recordings of both and asked him to choose which he thought the best rendition of the song, he unmistakably picked out the really good recording done without drinks. The song was "Jab dil hi toot gaya".

That Saigal recorded songs without drinks became the news. It spread like fire among music directors. Khurshid Anwar tried it, too, for "Parwana" and was successful. But hen Dr. Latiff had to be by his side always ready with injections.

I took occasions then to tell him that someone had made a psychological fixation in him about alcohol and his singing. I instisted that it wa simply untrue and that he had seen the results himself. He looked a me wistfully and said: "What a pity, Naushad Sahab...This good news is too late to be good to me. Had I met you a little earlier, I might have been a different Kundan altogether....." By referring to a song line from "Shah Jahan" he said "Chaah barbaad karegi hamen maloom na tha".

I wonder how many Saigal fans know what he thought about drinking. He regretted it wholeheartedly. There are many among us who like, admire and imitate him even to the point of drinking. But he would never approve of it. I am sure he would say, "We ought to imitate always the good trends in others, not the bad ones".

He was an artiste through and through. Many incidents are told about this. Once after a night long search, a director was pleasantly surprised to find Saigal in fond embrace with an electric post at Matunga in the early hours of the morning while he was supposed to be on the set. When asked, how come, he said he lost his bearings on the way to the studio and was seeking directions from the lonely electric post.

Another day, Saigal reached home very thirsty. He walked into the kitchen and took some tea from the oven, kept a cup at his feet and poured the contents right down on his feet. The "tea" turned out to be boiling oil, which burnt his feet and hands, cancelling his shooting schedule for weeks and keeping Dr. Latiff busy for months.

With the completion of "Shah Jehan" I lost the contacts with this great man. News of his death did not come to me as a surprise. i could imagine his deathbed and Dr. Latiff sitting with his medical kit saying "Mera Kundan...Mera Kundan....."

During Saigal's funeral, one of his relatives told me later, the music of "Jab dil hi toot gaya" from the film "Shah Jehan" was played by the band as per his wish.

Every generation has its crop of artistes. Often God replaces disappearing great men with worthy substitutes. No doubt, after Saigal, many singers have arisen in the Hindi film world. Some of them may have overtaken him in some sense, some may not have. But I feel there was none to replace Saigal. He is just....Saigal".

It should not sound too effusive, if I say in conclusion, that Saigal outdid Tansen in popularity. Mian Tansen was, of course, the beloved of his times. But his voice was, in a way, imprisoned by palace walls and a select upper class audience. Saigal, on the other hand, had the whole nation behind him as he was the singer of the general public. He was, in fact, their Tansen.

Saigal belongs to that category of human beings, who defied death. He is alive even today. We have the proof that he is. His voice, his style, his intonation is amidst us. Saigal is immortal. In that sense he has even surpassed the legendary singer Tansen in popularity.


This post has been edited by Abdur Rehman: Jan 12 2010, 03:37 PM

[Abdur Rehman]

Naatak-1947

I have only three songs from the film. I request members to please share the other songs of the album

This post has been edited by Abdur Rehman: Jan 13 2010, 10:12 AM

[Exon]

Naatak-1947

I have only three songs from the film. I request members to please share the other songs of the album

Seshadri,

Taiyab had uploaded 6 songs from Naatak at the following link.
http://www.hamaraforums.com/index.php?s=&a...st&p=639402

Exon

[Faraaj73]

Shah Jahan-1946

Unfortunately I dont have any detials of the songs except for the two Jab dil hi and gham diye mustaqil. These two are sung by KL Saigal saab.

Jab Usne Ghesu and Jawani Ke Daman are sung by Shamshad, the remainder by Saigal with Mere Sapnon Ki Rani being a duet with young Rafi piping in.

It was around 1946 I had a chance to meet him. Saigal was at the height of his popularity. D. N. Madhok and I were discussing a point of a picture at kardar Studios. A tall bald headed figure with thick rimmed spectacles entered the room. Mr. Madhok began to talk with him informally and I receded in the background. As conversation progressed, Madhok saw that I was kept aloof and asked me if I knew the gentleman with whom he was talking. I told him I did not. Madhok looked at me with surprise and asked me, "Why you don't know Saigal"? I jumped up. Saigal was smiling at me. Ii offered my apology saying that his bald head and thick rimmed spectacles were far from the boyish idea I had of the great Saigal. There was a heavy laughter from him in reply. That first meeting with Saigal left a lasting impression on me.

I have all these episodes narrated by Naushad on audio and uploaded them many moons ago. Do you want them uploaded here or do you already have them?

[Abdur Rehman]

It would be very nice if you upload the audio clip.

[Abdur Rehman]

Elaan-1947

I dont have any songs from the film. I request members to please share the songs if somebody has them.

[Abdur Rehman]

Dard-1947

I have only five songs from the film. I request members to share the other songs.

[surhall]

Elaan-1947

I dont have any songs from the film. I request members to please share the songs if somebody has them.

soon i u/l some song
dhall