Shammi Kapoor, the original Rockstar ! Options

[Sharmila-Sweet]

October 19, 2010 14:41 IST
Sreya Basu, Trans World Features in Mumbai



Shammi Kapoor describes himself as Renaissance man, retired actor and computer buff on Twitter.



The actor, who has entertained audiences over five decades, looks back at his time in front of the camera.



He tells Trans World Features correspondent Sreya Basu what was the best part of being an actor is, and much more.



What's the best thing of being in the Indian film industry for over five decades?



The most wonderful thing about the films of my times was the innocence. Those were happy movies -- hero meets heroine, chases her, sings seven-eight songs for fasao-ing (wooing) her, and then last mein Pranji ki tarah ek villain bhi aa jayenge. The hero has a climax fight with Pran to save the heroine. And at the end, the lovers are united.



I belong to the era when films were simple, they didn't tax your brains. My films were not thought-provoking, they were hardcore entertainers.



Most of your musical hits were playbacked by Mohammad Rafi.



Rafisaab was my voice. After his death, I lost my voice. I cried like hell.



He had a great sense of humour. Generally, I used to be present at the recordings of all my songs. I would ask him to sing the songs with the nuances that I would portray on screen and he would happily oblige. After the recording, when I listened to the songs, I would wonder how could he sing exactly the way I wished him to!




Shammi Kapoor describes himself as Renaissance man, retired actor and computer buff on Twitter.



The actor, who has entertained audiences over five decades, looks back at his time in front of the camera.



He tells Trans World Features correspondent Sreya Basu what was the best part of being an actor is, and much more.



What's the best thing of being in the Indian film industry for over five decades?



The most wonderful thing about the films of my times was the innocence. Those were happy movies -- hero meets heroine, chases her, sings seven-eight songs for fasao-ing (wooing) her, and then last mein Pranji ki tarah ek villain bhi aa jayenge. The hero has a climax fight with Pran to save the heroine. And at the end, the lovers are united.



I belong to the era when films were simple, they didn't tax your brains. My films were not thought-provoking, they were hardcore entertainers.



Most of your musical hits were playbacked by Mohammad Rafi.



Rafisaab was my voice. After his death, I lost my voice. I cried like hell.



He had a great sense of humour. Generally, I used to be present at the recordings of all my songs. I would ask him to sing the songs with the nuances that I would portray on screen and he would happily oblige. After the recording, when I listened to the songs, I would wonder how could he sing exactly the way I wished him to!





You never asked Rafi how he could feel your pulse?

Yes, I did.

Remember the song Aasman se aaya farista from Kashmir Ki Kali? I was not present at the recording of that song. After listening to the song, I asked him, 'Main toh wahan tha nehin, so how could you get the exact nuances that I planned to perform on screen?'

He said: 'I just fantasised how Shammi Kapoor will sing and perform this song. If he is Shammi Kapoor, then at one moment he will jump from here and then take a dive from there.'

You had your unique style of dancing.

I never learnt how to dance; never had a dance master. When I was 18-19 years old, I joined a dancing school in Dadar to learn the tango. They used to charge 20 for an hour. After spending 100, I realised that I hadn't learnt anything. But I always gave expressions as required to my songs.






'You once said you used to forget your dialogues seeing Madhubala. True?

Absolutely true. There was this film, Rail Ka Dibba (1953). Madhubala was my heroine. She was so beautiful and I was a new hero, hardly 20 years old. I used to forget my dialogues seeing her and she used to help me out.

Can you pick one film that will remain unforgettable for you?

I will never forget Teesri Manzil. It was during the shooting of the film that I suffered the saddest moment of my life -- I lost my wife (Geeta Bali) in 1965. I was shattered, but had to continue shooting.

She was there before Teesri Manzil's shooting started. She was very happy that I was offered the film. She said she wanted to see my contribution in the film. I could not digest that fact that she was no longer there.




What made the eternal lover boy of Indian cinema so computer savvy even before the Internet wave hit India?

I discovered Internet before you got Internet in India. I took it up as a hobby. I am on Apple and they gave us a website called eWorld. The British telecom gave us a line through VSNL, even though VSNL was not available at that time (1994). That was an eye-opener -- something completely new. By the time Internet came to India, we were already first-marchers...already sab kuch dekh liya tha.

You have the latest gadgets, including the IPad. You are on Facebook, Twitter, maintain your own website.

I have been going to the hospital thrice a week for dialysis for the last seven years. There are millions of well-wishers who pray for me, bless me so that I remain healthy and return home safe. Believe me, Internet is the best medium to connect with lost friends.

I had a very dear friend Afzal in Pakistan. It shocked me completely when I received his email one day after 50 years! The machine (computer) did another good to me.

What's that?

The moment the mouse came in my hand, the cigarette flew away permanently.

[Sharmila-Sweet]

Meet Shammi's Yahoo
By: Chaitanya Padukone Date: 2011-08-18 Place: Mumbai



The suave late actor made it famous, but it was veteran writer-director Prayag Raaj who actually screamed Yaaahooo!

Amongst the scores of celebs who attended the late Shammi Kapoor's prayer meeting on Tuesday evening, there was an unsung hero who came too.

Images: B-Town bids adieu to Shammi Kapoor


Shammi Kapoor in Junglee and above Prayag Raaj


Bollywood writer-director Prayag Raaj (who has written many Manmohan Desai films like Amar Akbar Anthony and co-directed Coolie), the actual 'voice' who screamed the legendary Yahoo in Junglee that was picturised on Kapoor.

With tears in his eyes, 76-year-old Prayag talks fondly about the late superstar. "Shammiji treated me like his younger brother and we often dined together. I didn't know my Yahoo yell would become such a timeless sensation." he says.

Although the late legendary singer Mohammed Rafi was the actual playback singer of Chaahe Koi Mujhe Junglee Kahe, composers Shankar-Jaikishan roped him in for this additional startling voice track.

"They felt that the wild screams of Yahoo for multiple takes would be a professional vocal hazard for Rafi Saab.

They ( including Rafi Saab) felt I had the perfect potential. Acoustics expert Minoo Katrak recorded ten re-takes of just the 'Yaaahoo' yell in my voice ¦ only two takes were finally okayed." he shrugs.

"Apart from Shammiji complimenting me, I was also paid a generous amount for my scream, which lasted me for a month in those days.

Thereafter, Shammiji insisted I play a cameo in his film, Professor," discloses Raaj, who post-Junglee lent his vocals to several chartbuster songs from movies like Jab Jab Phool Khile and Farz.