Sahir & Shairi, Films of Sahir Ludhianvi Options

[swarapriya]

Sahir & Shairi

Films of Shair Ludhianvi

Main Pal Do Pal Ka Shair Hoon
Pal Do Pal Meri Kahaani Hai
Pal Do Pal Meri Hasti Hai
Pal Do Pal Meri Jawaani Hai

….

Kal Aur Aayenge Naghmon Ki
Khilti Kaliyaan Chun Ne Waale
Mujh Se Behattar Kahne Waale
Tum Se Behattar Sun Ne Waale


The poet who wrote these words, Sahir Ludhianvi, in reality would be remembered for ever as long as people who love literature and especially poems like this exist. It is the greatness of his humility that he speaks of other poets who write better than him will come sometime tomorrow. That is a definite possibility. But for now, he probably is the greatest of those we know.

Abdul Hayee, better known as Sahir Ludhianvi, was born in 1921 into an aristocratic Muslim family in Ludhiana, Punjab. But he spent much of his childhood in poverty. This transition from worldly comforts to a meager existence took place when he was still very young. At 13, his father took a second wife. His mother left Sahir’s father in protest of his decision to marry again, taking Sahir with her. For the rest of his childhood Sahir lived in constant fear because his father has vowed to kill him to spite his mother.

With hard work Sahir managed to survive and was admitted to a college only to be dismissed for bad behavior because he disobeyed the principal’s rules by sitting on the lawn with a female student. He enrolled in another college and fell in love with one of his college students, named Amrita Pritam, who responded by reciprocating his love. Sahir found himself expelled from the college for the second time because of his writings in the college magazine that the school authorities found to be disruptive. His hopes of marrying Amrita, who was a Sikh by her faith, came to an abrupt end because her father was against his daughter marrying a Muslim. Frustrated and dejected, Sahir decided to give up college and move to Lahore. This was in 1943.

It took two years for Sahir to find a publisher to publish his book “Talkhiyaan”, a collection of poems Sahir has been writing for the last several years. These poems, written from the depths of his heart receive attention, making his name immediately recognizable. This led him to employment. Sahir worked as a magazine editor and his writings and the magazine became popular. Eventually he was able to simultaneously edit as many as four different magazines. His writings adorned all of them. Readers loved Sahir’s beautifully thought out poems, which in turn increased his popularity, thus leading to the popularity of the magazines.

At this time Sahir become a member of the Progressive Writers’ Association (PWA). Immensely influenced by the organization’s communist ideology, he started publishing writings against the repressive government in the magazines he was editing. It was 1949. India and Pakistan have been two separate and independent countries for nearly two years. Incensed by Sahir’s writings, branding them to be inflammatory, in 1949 the Government of Pakistan issued a warrant for his arrest. Sahir managed to flee to Delhi. From Delhi he eventually moved to Bombay in search of work. Based on his credentials as a writer, it did not take long for Sahir to land a job writing lyrics for movies. First movie he wrote lyrics for was, “Azad Ki Raah Par”, released in 1949.

In 1949, Sahir was just 28 years old. In that short span of life, he underwent more ups and downs than many people experience in a lifetime. These experiences undoubtedly left a mark on Sahir, turning him into the type of writer he was. His lyrics and poetry had such moving intensity, leaving an indelible mark on those who read or heard his work. He wrote with purity, depth, sadness and hope about declining societal values, the senselessness of the political machine and the havoc to countless lives brought on by war. His command of the written word was so complete that his readers felt as though he was addressing their individual hearts.

His first lyrics written for the film “Azad Ki Raah Par (1949)” failed to make any impression. The movie was a flop and the songs also did not do well. The very next year, in 1950, Sahir had an opportunity to work with the music director S.D. Burman in the film “Afsar”. His success with the film secured work for him on three different films in 1951, all with the great Burmanda: “Naujawan”, “Baazi”, and “Sazaa”. Songs from these films became huge hits, especially from “Baazi”. After this series of successes there was no looking back for Sahir. The Burmanda-Sahir collaboration resulted in several beautiful songs. They worked together on 15 films and their collaboration reached a peak with “Pyaasa”. Sadly this was the last time the duo would work together.

In nearly 30 years of film work, Sahir worked on about 80 films. Songs from most of these films exhibit his literary skills and most of them are still popular today. His most significant work came in Guru Dutt’s “Pyaasa (1957)”. The very next year his work for “Phir Subah Hogi” solidified his position as being unparalleled when it came to writing about the hypocrisies and declining values of society.

While Sahir’s professional life flourished, his love life, sadly, continued to involve heartache. His love for singer Sudha Malhotra, who was Hindu, never materialized because of their different religions.

By 1970’s Sahir’s work output declined. During this period, most of his songs were written for Chopra Brothers’ films, especially Yash Chopra. But even with only a few assignments he had, Sahir always wrote from his heart. Yash Chopra’s “Kabhi Kabhie” made in 1976 is a glittering example of this.

Sahir passed away when he was only 59 years old after a massive heart attack during a card game.

Sahir won the Filmfare award twice as the best lyricist, in 1964 for “Taj Mahal” and in 1976 for “Kabhi Kabhie”. He was also awarded Padmashri by the Government of India.

In the next few months I would like to share with you Sahir’s great poetry through the songs from the films he wrote for. First, let is look at his filmography …

This post has been edited by swarapriya: Apr 16 2010, 10:24 AM

[swarapriya]

Munimji (1955)

Munimji was a sort of breakaway movie. Its storyline and many scenes from the movie formed a template for many successful future movies. It was produced by Filmistan (Shashidhar Mukherjee also know as S. Mukherjee - father of actor Joy Mukherjee), the studio that was responsible for so many money spinning musicals. It was directed by Subodh Mukherjee, younger brother of Shashidhar, a first for him. Subodh always wanted to make a movie and has similar storyline ideas. Instead he ended up directing Munimji. Writing duties were handled by Nasir Hussain, a future famous producer and director himself who churned out several successful musicals to his credit. Nasir and Subodh also co-wrote the screenplay. The dialogues were written by Nasir and Qamar Jalalabadi. Interestingly, Jalalabadi who is a renowned lyricist, didn't write any songs for this movie.

Dev's portrayal in the movie was full of light-hearted fun and was just great. He was nominated in the Best Actor Filmfare Award category, but lost to Dilip Kumar (for Azaad) in apparently a very close vote. Nirupa Roy played Dev's mother and won the Best Supporting Actress Filmfare Award for her portrayal. In years, apparently, Roy was younger to Dev in real life!

Interestingly, Nasir Hussain practically took the same story idea and made three other money spinners in "Tumsa Nahin Dekha," "Dil Deke Dekho," and "Jab Pyar Kisise Hota Hai" all major musical blockbusters.

The songs of "Munimji" are just superb. I have so many favorites in this movie. The dual version of the song “Jeevan Ke Safar”, especially the version by Kishoreda is just awesome. Another one of my favorites is the trio by Geetaji, Hemantda, and Thakur, the song “Dil Ki Umangen”. An unforgettable song that is absolute fun to listen to with both Geetaji and Hemantda at their teasingly pleasing best. I read in this Forum that Thakur who is the cosinger of this song is none other than the great veteran actor Pran himself. I am not able to confirm this.

It is noteworthy that Burman Da did not have Sahir write all the songs, he wrote most of them, even though their collaborations in many of the previous movies enjoyed phenomenal success. The writing duties for this film were split between Sahir and Shailendra.

I am uploading these songs in back-to-back two posts. Here are the details of the songs in the first post and the songs themselves ...

[Faraaj73]

Munimji (1955)

Another one of my favorites is the trio by Geetaji, Hemantda, and Thakur, the song “Dil Ki Umangen”. An unforgettable song that is absolute fun to listen to with both Geetaji and Hemantda at their teasingly pleasing best. I read in this Forum that Thakur who is the cosinger of this song is none other than the great veteran actor Pran himself. I am not able to confirm this.

Swarapriya

Pran sang the comedy part of Dil Ki Umangein Hain Jawaan...and it was obviously picturised on him...

[swarapriya]

Munimji (1955)

Another one of my favorites is the trio by Geetaji, Hemantda, and Thakur, the song “Dil Ki Umangen”. An unforgettable song that is absolute fun to listen to with both Geetaji and Hemantda at their teasingly pleasing best. I read in this Forum that Thakur who is the cosinger of this song is none other than the great veteran actor Pran himself. I am not able to confirm this.

Swarapriya

Pran sang the comedy part of Dil Ki Umangein Hain Jawaan...and it was obviously picturised on him...

Thanks for the confirmation, Faraaj. I am still not able to comprehend why the album uses the name as Thakur instead of the real name. Cheers. -S