The Magic of the Velvet Voice, Talat Mahmood's Unique Voice Options

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The Quiver: Anil Biswas on Talat Mahmood
- the time of discovery
I have always kept an eye open for fresh talents and fresh voices, and it was during one of those try outs that a tall lanky man from Calcutta said he was desirous of acting in films and as he had already sung in Calcutta as Tapan Kumar, he could break through. I sized him up and asked him to sing a song, and as he started off, I was mesmerized. His voice didnt have any classical base, but his voice was such that you just felt like closing your eyes and listening. I asked him to come the next day saying I would give him a song- and he better forget his acting for the time. The next day, as he sang, I was bemused. That beautiful quiver in his voice which had attracted me was missing. I stopped him and when asked about it, Talat replied "Dada, everyone says my voice shivers - I was trying to correct it". I was furious and asked him to get out and get the voice I had chosen - the Talat Mahmood I had chosen. He immediately obliged - and at the end of the rehearsal, I told him, "Thats how you will sing from now" - and he did. From then on he never did look back - at least not as long as I was there.

That song was "Ae dil mujhe aisi jagah le chal" in "Arzoo" on Dilip Kumar. He became The voice of the Tragedy King and the pathos in Talat's voice so ideally suited the tragic image that Dilip Kumar developed for himself.

Naushad:
from Doordarshan's "Shraddhanjali" programme
"You can fathom how unique Talat sahab's voice is by the fact that there are a thousand copies of Mohd. Rafi, Kishore, Mukesh and others. But Talat sahab's is the only voice in our Film Industry that has never been copied or duplicated ever ! His is a voice that stands apart and is truely inimitable !"

Kishore Kumar:
Illustrated Weekly of India- Dec '87
Such was Talat Mahmood's aura, that Kishore Kumar on hearing Talat once at Anil Biswas's house had remarked, "I think I had better give up singing. How can I dare open my mouth so long as such a perennially romantic voice is around !"

Mehdi Hassan:
From The Hindu- 27th. Sept. '91
"It was through the vocals of Talat Saab that I discovered the goldmine in my throat. His songs like 'Ek main hoon ek meri bekasi ki shaam hai' and 'Husn walon ko na dil do ye mita dete hain' had left a lasting impression on me. It was whilst singing these two Talat numbers on stage in the early years of my singing career, that I held an audience of 10,000 in Pindi spellbound ! Believe it or not, the moment I completed singing these two Talat hits, the Pindi audience showered me with money and in a trice I had collected almost about Rs.14,000 ! All this, was of course, courtesy Talat Saab ! "

Pankaj Udhas:
Voice clip in "Legends - Talat Mahmood" released by HMV
"Whenever there is a discussion on ghazals only one name comes to your lips - that of Shahenshah e Ghazal Janab Talat Mahmood ! I am very much influenced by him and his music. His singing style, his soft velvety voice, his sweet, emotion filled, tuneful film songs, geets and ghazals..... a voice so sweet that you can listen to it for hours on end..... and you get that feeling of sweet nectar being poured into your ears ! "

Ameen Sayani:
Reliving The "GeetMala" lore in 'SCREEN' - Sept 22, 2000
"The Geetmala which was aired from 1952-53 didn’t rank the songs. It only played seven hit songs, without rating them. It was only in 1954 that Geetmala became a countdown show.
I remember vividly that in 1954, the topper of the first countdown show was
Talat Mahmood’s "Jayen to Jayen Kahan" from film 'Taxi Driver'."


Dilip Kumar:
"... There was a uniqueness in his voice which has never been seen in any other singer. His songs touched peoples hearts. When I would act to his playbacked songs I would put in that much more extra effort to match his singing prowess".

Whether it be songs like ai mere dil kahii.n aur chal, koi nahin mera iss dunya mein from Daag or shaam-e-Gam kii qasam, aaj Gamagii.n hai.n ham from Footpath or even Kis ko Khabar Thi from Devdas, the Legend with the Golden Voice proved his mettle time and again while singing for Dilip Kumar and other legends of the movie industry.



Bibliography
My Velvety Idol http://www.freehomepages.com/imsathya/talat.htm
A Golden Voice- Talat Mahmood http://www.talatmahmood.com
Devdas http://www.rediff.com/entertai/2002/jul/03dilip.htm
Songs of Talat Mehmood http://www.cs.wisc.edu/~navin/india/songs/...at_mehmood.html
Hamara Forums- Binaca Geet Mala - 1954 http://www.hamaraforums.com/index.php?showtopic=40

[unni]

Imran:

I heard this song after a very long time and "captured" it from the internet. Since 'fade-out" has been used at the end of this track, if you (or others) have a complete version, do please upload it.

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Imran:

I heard this song after a very long time and "captured" it from the internet. Since 'fade-out" has been used at the end of this track, if you (or others) have a complete version, do please upload it.

Unni, thank you for reminding me of another good song. Unfortunately, my version which though appears in the 4th CD of 'The Silken Voice' Collection is also the 'fade-out' version.
Track length is 3min, 17secs. The track fades on the following words:
ishq kee raah mein saahil bhi haen, tufaan bhi haen
iss mein izzat bhi hae, ruswayee ke saamaan bhi haen
meri jaan dunya ke darr se na badal jaana tum
kyunke ab mil ke na milnay ...

If your captured version was from a streaming audio then maybe you would like the one I have. Let me know if you want me to upload. I would suggest we request it from Khalid sahab, better to have the original & complete version, if it truly is available.


My current favourite is 'Aaj Kisine Baaton Baaton Mein', exquisite.

Aaj Kisi Ne Baaton Baaton Mein Jab Unnka Naam Liya
Dil Ne Jaisay Thokar Khayee, Dard Ne Barh Kar Thaam Liya

Raah-e-talab mein chaltay chaltay thak kar jab hum chuur hue
Zulf kee thandi chaon mein baethay, pal do pal aaraaam liya

Deewaron ke saaye saaye umr bitayee deewane
Muft mein tann-asaani-e-gham ka apnay sar ilzaam liya

Ghar se daaman jhaarh ke nikle, wehshet ka saamaan na puuch
Yaani ke gard-e-raah se hum ne rakht-e-safar ka kaam liya

[unni]

Imran:

I heard this song after a very long time and "captured" it from the internet. Since 'fade-out" has been used at the end of this track, if you (or others) have a complete version, do please upload it.

Unni, thank you for reminding me of another good song. Unfortunately, my version which though appears in the 4th CD of 'The Silken Voice' Collection is also the 'fade-out' version.
Track length is 3min, 17secs. The track fades on the following words:
ishq kee raah mein saahil bhi haen, tufaan bhi haen
iss mein izzat bhi hae, ruswayee ke saamaan bhi haen
meri jaan dunya ke darr se na badal jaana tum
kyunke ab mil ke na milnay ...

If your captured version was from a streaming audio then maybe you would like the one I have. Let me know if you want me to upload. I would suggest we request it from Khalid sahab, better to have the original & complete version, if it truly is available.

Imran:

The version I uploaded was 3:16 minutes, so almost same as yours, except you would have a better copy from the CD.

Does Mr. Khalid Mahmood take requests? Does he post them at his site?

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Does Mr. Khalid Mahmood take requests? Does he post them at his site?

Talat sahab's son indeed takes requests sent to him through his email address. And yes, the songs are posted on his father's website. I'm surprised you weren't aware of this.
The bulk of my collection comes from the uploads at his website (and of course some generous HF members)!

You can find uploads changed almost weekly. Sometimes they stay up for longer, probably due to lack of requests coming through for new songs.
Here is the URL:
http://www.talatmahmood.com/listen_to_audio.htm

An excerpt from this page

** All the songs appearing above are from the personal collection of the golden voiced 'Shahenshah e Ghazal' himself. You are listening to records collected by Talat Mahmood in his personal music library over a period of 6 decades of his singing/acting career ! Each recording is an original pressing  from the '40s, '50s, '60s and later - and this selection changes twice a week. To see your request in 'Listen To Audio' page please  write the songs name correctly in an e-mail to:  khalidmahmood@powersurfer.net