Majboor[1948], ghulam haider's memorable soundtrack Options

[mahesh]

hello friends,
here are all the songs from 1948 ghulam haider classic-majboor.lyrics are by nazim panipati
here are the first three songs-
1]mein to reh gayi aaj akeli re-geeta roy-128kbps/3.25,
2]-gori sakhiyon se ankhiyan churay rahi re-geeta,lata-128kbps/3.04,
3]-dekho ji-2,mori bahiyan pakad ke chhod na dena-hamida bano,g m durrani-128kbps/3.34.



enjoy and respond,
mahesh

[mahesh]

and finally-
6]-dil mera toda-lata-128kbps/2.59,
7]-piya milne ko aa-lata-128kbps/2.43,
8]-har shay pe jawani hai-geeta,lata-96kbps/3.23



ashish,
thanks for the response,no idea why ghulam haider started experimenting with new talents like geeta,lata,surinder kaur and lalita deoolker.


regards,
mahesh

[Harishankar]

and finally-
6]-dil mera toda-lata-128kbps/2.59,
7]-piya milne ko aa-lata-128kbps/2.43,
8]-har shay pe jawani hai-geeta,lata-96kbps/3.23



ashish,
thanks for the response,no idea why ghulam haider started experimenting with new talents like geeta,lata,surinder kaur and lalita deoolker.


regards,
mahesh

The last film recorded by Masterji, before he crossed the border, and was lost to us forever, was 'Padmini'. And Lata's "Bedard tere dard ko seene se lagaake", despite carrying an unmistakable Noorjehan overtone, remains an all-time great rendition, of Lata for her 'Masterji'. Here it is:



And, though it suffers in comparison with Lata's phenomenal "Bedard tere dard ko", Geeta Roy's duet with Ashok Kumar, for the same film, "Sapera been bajayo ri", also proved immensely popular then, and remains heard to this day:



Inviting all members to complete the 'Padmini' score, so that we can have another Ghulam Haider treasure-trove at hand.


Hari

[mahesh]

and finally-
6]-dil mera toda-lata-128kbps/2.59,
7]-piya milne ko aa-lata-128kbps/2.43,
8]-har shay pe jawani hai-geeta,lata-96kbps/3.23



ashish,
thanks for the response,no idea why ghulam haider started experimenting with new talents like geeta,lata,surinder kaur and lalita deoolker.


regards,
mahesh

The last film recorded by Masterji, before he crossed the border, and was lost to us forever, was 'Padmini'. And Lata's "Bedard tere dard ko seene se lagaake", despite carrying an unmistakable Noorjehan overtone, remains an all-time great rendition, of Lata for her 'Masterji'. Here it is:



And, though it suffers in comparison with Lata's phenomenal "Bedard tere dard ko", Geeta Roy's duet with Ashok Kumar, for the same film, "Sapera been bajayo ri", also proved immensely popular then, and remains heard to this day:



Inviting all members to complete the 'Padmini' score, so that we can have another Ghulam Haider treasure-trove at hand.


Hari

And, though it suffers in comparison with Lata's phenomenal "Bedard tere dard ko", Geeta Roy's duet with Ashok Kumar, for the same film, "Sapera been bajayo ri", also proved immensely popular then, and remains heard to this day:



hariji,
i disagree with you.''bedard tere dard ko'' and ''sapera bin bajaiyo'' are songs of two different moods and there is no point in comparing them.if any of geetaji songs are to be compared with ''bedard tere dard ko'' then they have to be her sad songs from the three 1948 ghulam haider movies-shaheed[aaja bedardi balma],majboor[mein to reh gayi aaj akeli re] and padmini[aaja aaja o bidesi balma,mora piya nahin bas mein] and in my opinion,geetaji rendition is no way inferior to lataji.
the lata-ghulam haider combination has been over-hyped.apart from ''bedard tere dard ko'';all other products are quite ordinary [both from lataji's and ghulam haider's standard].


regards,
mahesh