Remembering Sahir Ludhianvi, The Romantic Rebel. Options

[Zayed]

Hello members,


REMEMBERING SAHIR LUDHIANVI, THE ROMANTIC REBEL :


<<Mumbai, Oct 24 (IANS) Twenty-five years after his death, Sahir Ludhianvi's eloquent lyrics continue to resonate in people's minds, and no one in Bollywood is likely to take his place.

Though legions of lyricists have followed since his death Oct 25, 1980, seldom has there been a poet who brimmed with as much cynicism, scorn and disparagement for the modern world as Sahir (meaning enchanter or magician).

The poignancy in Sahir's creations was nurtured at a very young age when he faced his parents' estrangement as a teenager.

Born Adbul Hayee at Ludhiana in Punjab March 8, 1921, to Sardar Begum, one of his father Fazal Din's 14 wives, the Lahore High Court had to affirm Sahir's legitimacy when his own father questioned it.

This anguish is reflected in many of his lyrics like "Tu mere pyar ka phool hai" ("Dhool Ka Phool", 1959) and "Tu mere saath rahega munna" ("Trishul", 1978) -- which rebel against the concept of illegitimacy.

"Even as a person he never bothered whom he was facing although he was very kind-hearted. He just lashed out at people," says veteran music director Ravi, who composed the music for some of Sahir's greatest lyrics like "Chalo ek baar phir se" ("Humraaz", 1963), "Aage bhi jaane na tu" ("Waqt", 1965) and "Chhoo lene do naazuk hothon ko" ("Kaajal", 1965).

"After him Hindi film lyrics lost their potency. Today people can only write garbage. Show me someone who can match Sahir and I will return to the industry," Ravi told us.

Sahir's anti-establishment nature was first seen after he migrated to Pakistan, when a warrant for his arrest was issued in 1949 by the government there because of his tirade against the authorities. As a result, he fled to Mumbai.

Though "Naujawan" (1951) was his debut film, Sahir's first major success came later that year with Guru Dutt's "Baazi", where S.D. Burman set his poetry to music.

Thus began a successful collaboration with Burman that yielded some of his most popular songs, like "Yeh raat yeh chandni phir kahaan" ("Jaal", 1952) and "Teri duniya mein jeene se behtar hai ki mar jaayen" ("House Number 44", 1955).

Unfortunately the duo parted ways after reaching their high point with "Pyasa" (1957) in which Sahir bloomed into what he subsequently came to be known as - the romantic rebel.

Be it romance, patriotism, philosophy or devotional songs, he injected rebellion and cynicism into all his creations. The strong intellectual element in his poetry caught the imagination of the youth in the 1940s, 1950s and 1960s.

Using his command over Urdu and Hindi, Sahir mocked religious dogma in "Sansar se bhaage phirte ho" ("Chitralekha", 1965), grandstanding politicians in "Jinhe naaz hai hind par woh kahan hai" ("Pyasa") and society in "Aurat ne janam diya mardon ko, mardon ne usse bazaar diya" ("Sadhana", 1958)

Sahir's cynicism did not spare even the majestic Taj Mahal. While he wrote lyrics for "Taj Mahal" (1963), not a single song in it eulogised or even referred to the marble monument.

Instead he ridiculed the grand mausoleum, which he loathed for its opulence.

In "Ghazal" (1964), he wrote: "Ek shahenshah ne daulat ka sahara lekar hum gareebon ki mohabbat ka udaya hai mazaak, meri mehboob kahin aur milakar mujhse" (By building the beautiful mausoleum, an emperor has mocked at the poor man's love. My dear! Let's not make the Taj our meeting spot).

Although a bachelor, his romantic trysts with several women were well known. But the only woman important in his life was his mother.

Sahir, who was extremely attached to her, did not survive too long after she died in 1976.

Addiction to nicotine and alcohol took its toll and he succumbed to a heart attack, leaving behind a rich legacy of poetry.>>

MusicIndiaOnline
October, 2005




Zayed

[Talaikya]

Ashok (difficult to get past "Ash"!) - wow, now I gotta do some homework and go after the gaps in my collection vis a vis my favorite lyricist !!

Rajnish ji, maybe you'd like to list the missing 50's and 60's movies (more for me to collect )? Waise I think Ash is compiling his favorites, so I suppose barring Sahir being 100/ 100, there would be some gaps in his list.

[ashgupta3]

Thanx ppl for liking my choice of Sahir’s songs. Nimii ji I liked ur style of requesting @thy dwaare. I dont have many songs but if u post ur wish list, I will try to arrange for them somehow (am always ready to help an admin in need ). And Nimii that was a nice article that u put.

T ji if it helps, think of Ash and Ashok as 2 different entities

Rajnish ji it is so nice to see ur lists of songs. I do not have that good knowledge of Sahir’s songs of 1950s, so missed many of them. In any case I was trying to put only my favs in the list. Before I put my next list, I will cross check it with ur list. I need more feedback like urs to enhance my knowledge. Hope to see more such responses in future.

The main reason I wrote this list, I wanted to show ppl that how much of a genius can be stuffed into one person. My interest in Sahir’s work first started abt 2 yrs back. That time I considered him as one of my top 5 fav lyricists, but didnt know the depth of his work.

Usually when u think of Sahir, u think of movies like Pyaasa, Barsaat Ki Raat, his movies with Chopra brothers and few others. But as u can see from the lists (which is still not complete), there is much more to Sahir than just those few movies. He just kept on giving one gem after another w/o any decline in his writing over the years. I was really appalled by what I discovered. By posting my lists here, I just want to share that experience with others. It may also help anyone who is interested in his work and wants to get more information.

Ashok